Of course Donald Trump undercut his former White House photographer

President Donald J. Trump prepares to sign a plaque placed along the border wall Tuesday, Jan. 12, 2021, at the Texas-Mexico border near Alamo, Texas.
President Donald J. Trump prepares to a plaque placed along the border wall Tuesday, Jan. 12, 2021, at the Texas- border near Alamo, Texas. Official White House Photo by Shealah Craighead

It’s customary for the outgoing chief White House photographer to publish a book of images at the end of a presidential term. Unfortunately, for former White House photographer Shealah Craighead, someone beat her to the punch: Donald Trump.

Not only did the 45th president usurp Craighead by publishing his own photobook, but the majority of the images in Our Journey Together were in fact by Craighead. As a result, she has now scrapped her own publishing plans.

Photographers hear the refrain time and again: protect your photos. Especially in an era when stealing media from the is so easy, it’s more important than ever to protect your copyrighted work from theft. But when it comes to Craighead’s situation, Donald Trump didn’t technically do anything illegal.

Let’s dig in.

Who is Shealah Craighead?

Shealah Craighead has worked as a photographer for a number of politicians over the years, including former President George W. Bush.
Shealah Craighead has worked as a photographer for a number of politicians over the years, including former President George W. Bush. Getty Images

Related: Photojournalist David Butow on documenting the intersection of culture & politics

Craighead is a photographer known for her body of work with politicians. Prior to covering the Trump White House, she notably was a staff photographer for former President George W. Bush, Florida senator Marco Rubio, and Iowa senator Joni Ernst.

According to The New York Times, presidential photographers often form a relationship with the politician before he or she assumes office. In the case of Craighead and Trump, this was not the case—she was hired the night before the inauguration when the original photographer didn’t pull through

What reportedly happened between Craighead and Trump

When Craighead first planned to publish her book about the Trump presidency, multiple outlets, including The Times, People, and Huff Post reported that the former president asked for a cut of her advance, said to be in the hundreds of thousands of dollars, in exchange for writing the book’s forward and promoting it. 

Later, Trump’s aides asked her to hold the , and the president went on to publish Our Journey Together, a book that gives no photo credits, even though the majority of the pages are filled with Craighead’s images. She is only mentioned in the acknowledgments. The book, which retails between $75 and $230, reportedly made $20 million in sales

“It’s a slap in the . I would be disappointed if I were in her shoes,” Eric Draper, chief White House photographer for George W. Bush, told The New York Times.

Our Journey Together
Donald Trump’s book, Our Journey Together, is filled with craighead’s images. Winning Team publishing

Aren’t there legal repercussions?

Unfortunately, no. Because the White House photographer is funded by taxpayer money, the body of work produced is in the public domain. It is not protected by copyright. 

In fact, there is a public Flickr account managed by the National Archives dedicated to the Trump presidency. Of the nearly 15,000 photos, about a third are the work of Craighead. 

A break with tradition 

In putting her book on hold, Craighead breaks with a tradition that goes back to the Reagan White House, in which the chief White House photographer publishes a body of work from the administration.

“It’s valuable for each chief photographer to do a book for the historic record and put it together in a that it tells sort of their story and contextualizes images,” says Pete Souza, who photographed Presidents Obama and Reagan.

Craighead would not comment on the situation, not wanting to discuss a former client. 

“I stay as apolitical as possible, as I am a neutral historical documentarian,” she told The New York Times. “By staying neutral I am able to remain a keen observer.” 

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